For the Summer of 2025, the musée des impressionnismes Giverny will present a selection of works from its collection, around the theme of the gardens, a theme through which Monet’s influence can be seen throughout the 20th century art, from Bonnard to Joan Mitchell and contemporary design. On this occasion, the museum will also pay tribute to the famous Italian designer Andrea Branzi, deceased in 2023.
In collaboration with the Centre Pompidou, and under the curatorship of Marie-Ange Brayer, the museum will present a collection of works (design objects, drawings, models, etc.) including Bamboo Interior Wood, a vast installation of painted bamboos. Inspired by the figure of Monet who developed, through his garden, an “artificial” nature, Branzi questions our relationship with nature and co-existence with the living.
This exhibition is part of the Centre Pompidou | Constellation program which allows the collections of the Musée national d’art moderne to be deployed throughout France during the closure for renovation of the Centre Pompidou.
Curator:
“Collections in the Garden” : Cyrille Sciama, Director General of the Musée des impressionnismes Giverny, Chief Curator.
“Andrea Branzi, the Realm of the Living” : Marie-Ange Brayer, curator, head of the Design and Industrial Foresight department at the Musée National d’Art Moderne, Centre Pompidou.
About Andrea Branzi
Seminal Italian architect, designer and educator Andrea Branzi held a lifelong fascination with how humans interact with objects, and sought to reconcile design and architecture with the evolving challenges of contemporary society. As a leading theorist, Branzi contributed an analytical and academic approach to the discipline.
Born in Florence in 1938, Branzi studied at the Florence School of Architecture, receiving his degree in 1966. From 1964 to 1974, he was a founding member of the experimental group Archizoom, which envisioned the groundbreaking No-Stop-City among other projects. Branzi was a key member of Studio Alchimia, founded in 1976, and went on to associate with the Memphis Group in the early 1980s.
In the 1980s, Branzi turned away from the prevailing, highly-stylized aesthetic of postmodern design. The key expression of this new direction was his seminal Animali Domestici (1985-1986) series, which featured rectilinear forms intersected by unfinished logs, sticks, and wood offcuts, in an attempt to bring the artificial and natural into equilibrium.
Branzi distinguished himself as a co-founder of Domus Academy, the first international post-graduate school for design, and was a professor and chairman of the School of Interior Design at the Politecnico di Milano until 2009. He was a three-time recipient of the Compasso d’Oro, honored for individual or group effort in 1979, 1987, and 1995. In 2008, Branzi was named an Honorary Royal Designer in the United Kingdom and he received an honorary degree from La Sapienza in Rome. That same year, his work was featured in an installation at the Fondation Cartier, Paris. In 2018, Branzi was the recipient of the prestigious Rolf Schock Prize in Visual Arts by the Swedish Royal Academy of Fine Arts.
Branzi’s works are held in the permanent collections of the Centre Georges Pompidou, Paris, France; Centro Studi e Archivio della Comunicazione dell’Università di Parma, Italy; Cooper Hewitt, Smithsonian Design Museum, USA; Fondation Cartier pour l’art contemporain, Paris, France; Le Fonds Régional d’art contemporain (FRAC), Orleans, France; Design Museum Gent, Belgium; Metropolitan Museum of Art, USA; Museum Boijmans Van Beuningen, Rotterdam, The Netherlands; Musée des Arts décoratifs, Paris, France; Musée des Beaux-Arts, Montreal, Canada; Museo del Design Italiano, Triennale di Milano, Italy; Museum of Fine Arts, Houston, USA; Museum of Modern Art, USA; Stedelijk Museum, Amsterdam, The Netherlands; Victoria & Albert Museum, London, UK; Vitra Design Museum, Weil-am-Rhein, Germany amongst others.
Andrea Branzi passed away in October 2023.
